Alyssa Rosenheck's The New Southern Domino, Interiors Home Shoot, Oxford Design Studio, Tarpon Springs, Tampa, Florida. Photos ©AlyssaRosenheck

Domino Feature: Tarpon Springs Home Shoot for Oxford Design Studio

January 31, 2019 in The New Southern, AR Photography, AR Home Tour, Allure Magazine, AR Press Feature, Domino Magazine

It’s not everyday that you plan a visit to the “Sponge Capital of the World”, but seeing as how I love a good bath as much as I do (check out my recent National Bubble Bath Day giveaway to see just how much), I couldn’t help but be intrigued by this unexpected city! Let me introduce you to the darling little town of Tarpon Springs, FL a beachy township located along central Florida’s sunny Gulf Coast, known for its incredible Greek community — which some say is the largest in all of the United States! It fills my heart to be introduced to creatives and their unique cities all over the country while working alongside some of the design industry’s leading stars. Stumbling on this charming gem was a fun perk of shooting for my client and friend, Oxford Design Exchange. The bold, beachy space was designed as an ideal first home for a young and gracious family. Marble floors topped with antique Moroccan rugs and dotted use of pattern against a muted color scheme made for a fun play on texture and personality, perfect for entertaining. It was a project with a lot of moving parts and lots of hands on deck, which makes it so fulfilling to see this old-meets-new space come to life!

I hope this coastal retreat inspires a little R&R and staycation as we close out the end of the week!! And, a special thank you to @NiaDamalos for being such a gracious host for the day. Much love to you all and thank you to my sweet friends at Domino Magazine for their love and support. Xx - AR

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Alyssa Rosenheck's The New Southern Entrepreneur Spotlight with Allison Casper Adams, Director of Oxford Exchange Tampa Florida

The New Southern | Entrepreneur Spotlight: Allison Casper Adams, Director of Oxford Exchange

August 28, 2017 in The New Southern, TNS Spotlight

Fun fact: Allison Casper Adams is a third generation McDonald’s franchisee. Her grandfather, Fritz Casper, opened Tampa’s first McDonald’s in the 1950s, now Allison and her brother, Blake Casper, operate 53 branches in the area. Clearly, the entrepreneurial spirit is a family affair, as the duo didn’t stop there.

In 2012, the siblings bought an underutilized building across the street from the University of Tampa campus that once served as horse stables in the 1890s, and sat vacant for the last few decades. A painstaking renovation ensued, with Adams keeping watch over the historic elements that remained intact and introducing new features that would seamlessly meld into the overall design vision of Oxford Exchange. Now, it’s a menagerie of marble and leather, brass and brick, and has a variety of uses: a coffee shop, a restaurant, a co-working space, a bookstore, and an event venue. “We hoped to create a unique place where people could gather,” says Adams. “Every detail has a purpose and every object has a story.

Forward-thinking and innovative, Adams is a great example of a strong female force in the entrepreneurial world. She’s the New Southern. Here, we sat down with the Tampa Bay businesswoman to get her thoughts on what it means to be Southern right now.

Alyssa Rosenheck: Why open Oxford Exchange?

Allison Casper Adams: I have always been fascinated with design, and Oxford Exchange gives me a great canvas to experiment with. I’ve always been inspired by travel and I consciously curate my personal spaces with objects that have meaning to my family and I, regardless of their style. Oxford Exchange and Oxford Design Studio are a direct reflection of that mindset. I’m humbled to think that we’ve influenced others with our approach.

AR: Any tips for female entrepreneurs wanting to follow in your footsteps?

ACA: With Oxford Exchange, it was a sharp learning curve. I had absolutely no retail experience when we started, so there were no rules. It only took me a few weeks to realize that I have a lot to learn. However, I think that led to part of its charm. Our Director of Retail, Jess Anderson, is incredibly organized and keeps me in line. With that said, my advice would be to surround yourself with passionate people and don’t be afraid to make mistakes.

AR: How do you make sure you’re setting yourself apart in the marketplace?

ACA: I am constantly traveling and looking for interesting pieces that can start a conversation. The Shop at Oxford Exchange is a mix of styles from all over the world and we aren’t afraid to try something new.

AR: What’s the key to making a house a home?

ACA: Your home should tell the story of who you are. Art that you love, photos, found objects from travels, and lots of books.

AR: Who is one of your favorite artists and/or makers?

ACA: John Derian is one of my favorite tastemakers. I love the history associated with his handmade pieces, and his shop in New York City is always a source of inspiration.

AR: Fill in the blank, “my momma always said…”

ACA: Imitation is the sincerest form of flattery.

AR: Oxford Exchange is chockful of wonderful housewarming gifts. What’s your usual go-to?

ACA: Books. For a new home, I like to offer a beautiful coffee table book on design or travel. For a hostess, a cookbook or even a favorite book I recently read.

AR: What’s your dream project?

ACA: An Oxford Exchange Hotel in Tampa

AR: What’s on your nightstand right now?

ACA: Books are always on my nightstand. My current reads are Radical Candor by Kim Scott and The Tea Girl of Hummingbird Lane by Lisa See.

AR: Do you have a favorite color palette?

ACA: White, navy, and grey is timeless. The range of colors you can pair it with is endless.

Alyssa Rosenheck's The New Southern Designer Spotlight with Jordan Winston, Head Designer of Oxford Exchange Tampa Florida PhotoCredit © AlyssaRosenheck

The New Southern | Designer Spotlight: Jordan Winston

July 24, 2017 in The New Southern, TNS Spotlight

From coast to coast, strong female voices are making waves in the design industry, particularly in the South, where a more modern aesthetic and outlook is replacing the stuffy, unapproachable interiors that used to be the norm. But what we love about Jordan Winston, design director at Tampa-based Oxford Design Studio, is her appreciation for the past and the innovative nature in which she’s connecting it to the present. “Traditional Southern style is what influenced me to become a designer,” notes Winston, “the over-the-top matching textiles and packaged furniture sets; I still hold onto that foundation as a designer.”

Winston is taking note of the push out of the unapproachable, like the formal living room, and instead “creating spaces that are livable,” she says. “I desire to create meaningful spaces where the atmosphere feels inviting and personable, while also establishing a level of sophistication. My Southern sensibilities inspire me to craft from local resources, repurposing when I can, and building for beauty and ease of use. Modern Southern style is about throwing away the rule book,” Winston adds, and feeling the freedom to mix pieces, old and new, periods and styles. “It’s an appreciation for the casual, and for the pieces that call for conversation instead of formality.”

Photo: ©Aaron Rolston, Oxford Exchange — Photo: ©Aaron Rolston, Oxford Exchange

Winston’s work is on full display at Tampa’s Oxford Exchange, a stunning mixed-use space that served as the catalyst for the launch of Oxford Design Studio. Here, we sat down with the firm’s design director to hear how Southern style is altering the way she works.

Alyssa Rosenheck: What are your favorite local design boutiques?

Jordan Winston: I love Antique Galleries of St. Petersburg; it’s the thrill of the find and I love sourcing one-of-a kind items for my clients. Of course, I love the retail store at Oxford Exchange. It’s my go-to place for accessorizing clients’ homes. There’s a large selection of coffee table books, unique vessels and accessories, and cashmere throws.

AR: Best shade of black and white?

JW: Alabaster and Black Fox by Sherwin Williams. Both of these avoid being too white or too black, and each color has the power to provide warmth and freshness to a space.

AR: What’s a color that sets a certain mood?

JW: For me, Carolina Blue. It seems to evoke calmness and sophistication while also having personality, and it plays well with other colors. There is an air of wisdom to that shade of blue. It can read traditional or modern, and it has an age and depth to it.

AR: Where do you go to get inspired?

JW: Easy, home. I grew up in the beautiful mountains of Western North Carolina. There is so much rich, natural beauty there and the personality of the place is restorative. It’s also where I first experienced my love for humble design. I admire the beauty of aging—a place that has a story to tell through the dings on a piece of furniture or a well-worn leather seat that is at the right level of comfortable after years of use.

AR: How do you make a house a home?

JW: Homes need to have less rooms, and those rooms need to facilitate quality conversation. I always encourage flexible seating when designing a furniture plan. Flexible seating takes up very little room and can easily be moved from place to place. Usually these are vintage, one-of-a-kind pieces, so now not only are they functional, but they’re capable of eliciting a conversation of their own and add character to the space. It’s like saying, “Pull up a seat and let’s talk!”

AR: Life advice you’ve gotten that made all the difference?

JW: Be yourself and draw from where you came from.

AR: What about design advice?

JW: Take your time. I had a professor in college really emphasize the fact that good, thoughtful design should not be rushed. It’s OK to carve out room to think before you start drawing or selecting. In the end, your client appreciates the time you took to hone in on their wants and needs. It provides them with a design plan that truly reflects their personality. With so many options available at the click of a button, it’s easy to just jump in and pull together a room in a day. I must remind myself to slow down.

AR: What’s your advice for mixing old with new?

JW: Do it. There is nothing that can replace the character of an older piece, whether it is vintage, a fine antique, or heirloom art. Incorporating an older element makes the new pop, feel more approachable, and invites conversation. A good rule of thumb is to make sure you have a good balance of both and know your limits. Plan out your percentage of old and new based on the space and the wishes of a client. Sometimes just one beautiful antique chest is all the old you need to change the room completely.

AR: Tell us something we probably don’t know.

JW: I was a fifth-grade school teacher for 4.5 years before entering the interior design industry. Even while teaching, I found the design and layout of the classroom intriguing. Space planning was key in running a well-behaved class and keeping students interested and comfortable in their environment.

AR: Design book you’ll always have on your shelf?

JW: Art of the House by Bobby McAlpine and Susan Ferrier. The poetic language they use reminds me to keep defining and developing my design sensibility; it’s a reminder to keep mixing the fine and found, the new and old.

AR: What’s on your nightstand?

JW: Right now, vintage lamps I found at a local thrift store, a curated stack of coffee table books, and a long bone-shelled box. I utilize my nightstand so I don’t like to crowd that space. I’m also a big advocate for using covered boxes on nightstands to store items you tend to quickly set down before going to bed—phone chargers, jewelry, and face creams. When styled, it looks clean, fresh, and not too fussy.